Download Before Pornography: Erotic Writing in Early Modern England by Ian Frederick Moulton PDF

By Ian Frederick Moulton

Before Pornography explores the connection among erotic writing, masculinity, and nationwide identification in Renaissance England. Drawing on either manuscripts and revealed texts, and incorporating insights from smooth feminist concept and queer stories, the publication argues that pornography is a old phenomenon: whereas the illustration of sexual intercourse exists in approximately all cultures, pornography doesn't. The publication contains analyses of the social value of eroticism in such canonical texts as Sidney's Defense of Poesy and Spenser's Faerie Queene.

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Additional info for Before Pornography: Erotic Writing in Early Modern England (Studies in the History of Sexuality)

Sample text

And the fact that manuscripts were produced and frequently exchanged in coteries challenges present-day notions that the erotic is a fundamentally private rather than public domain. In these volumes one finds no separation, common in later periods, between explicitly erotic "low" material and more mythologized, symbolic, and allusive Ovidian or Petrarchan writing. " As several recent studies of manuscript circulation have suggested, erotic texts were central to manuscript culture; erotic writing played a larger role in manuscript culture than it did in print culture.

The legal jests in the "Deede of Intayle" are similar to those found in more familiar poems by John Donne, such as "The Will" or "The Legacy," and tliis similarity is not surprising. 47 Another copy of the text, also at the Folger, makes this masculine context even clearer. 275, p. 124). Turner's copy of the "deed" is preceded by "Charles the kinge in his speech at Whitehall the 24th of January 1628" (pp. 128-9) and followed by "Duke of Buckinghame his Speech at the Councell table on ffrydaye the 4th of Aprill 1628" (pp.

Pepys not only consumed L'e'cole des filles in private, he also kept a private record of that consumption, in which he attempted to explain to himself why he took pleasure from the text and why he subsequently destroyed it. Although for the modern reader manuscript miscellanies and similar materials might seem analogous to private journals, such volumes were in fact often exchanged and the texts inscribed in them shared with others. In such a context, the erotic texts frequently found in manuscript collections should be considered cultural property shared in common (albeit among a select group) rather than evidence of individual private fantasy.

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