By Anthony Lewis Brooks, Elif Ayiter, Onur Yazicigil
This ebook constitutes the completely refereed court cases of the Fourth foreign convention on Arts and expertise, ArtsIT 2014, held in Istanbul, Turkey, in November 2014. The 17 revised complete papers awarded have been conscientiously chosen and reviewed from various submissions. ArtsIT has turn into a number one medical discussion board for the dissemination of state-of-the-art study ends up in the world of arts, layout and expertise. The papers specialise in IT applied sciences, artists, designers and business contributors and provide content material creators instruments that extend the technique of expression of the normal layout field.
Read Online or Download Arts and Technology: Fourth International Conference, ArtsIT 2014, Istanbul, Turkey, November 10-12, 2014, Revised Selected Papers PDF
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Additional resources for Arts and Technology: Fourth International Conference, ArtsIT 2014, Istanbul, Turkey, November 10-12, 2014, Revised Selected Papers
This paper focuses on the role of the body in the Contemporary Performance Art. Considering that there are many cases in which Art reproduces social, cultural and sometimes political realities, we identify types of messages that an artwork using advanced technological might transmit to us, spectators or artists. Our focus point is the Cyborg Theatre, a form of performance in which the use of advanced technological means is an inherent element without which the performance could not happen. Such a technological performance cannot occur without a body.
The interesting point is that the “doll” possibly manipulated the spectator much more than the other way around. It was a ruling game, in which the “victim” was leading his torturer and the last one did not refuse to participate in all this strange but familiar to all of us scenario. At the end, it is a very common idea for the societies that the strong imposes himself on the weaker one. 3 Conclusions In this article, we took into account that the Art reﬂects social realities, we studied the way that the human body participates in a post dramatic performance trying to under‐ stand the messages that its participation possibly transmits to us as creators or spectators.
He adored puppets, because he believed that they are superior creatures, free from emotions, senses, guilt and judgments. Craig believed that the deliverance of these feelings could turn us, the humans, into superior beings. Did something similar happened in Epizoo project? It seemed that the performer “left” the stage and a soulless ﬁgure came in his place. The artist changed into a puppet, avatar, or golem. It does not matter how we name this creature, we should note that the hypostasis of the body-personality transferred into a diﬀerent entity.