By J. P. E. Harper-Scott, Jim Samson
Why learn song? How a lot sensible use is it within the smooth international? This advent proves how learning song is of serious worth either in its personal phrases and in addition within the post-university careers market. The publication explains the elemental ideas and concerns concerned with the tutorial learn of song, attracts realization to important connections around the box and encourages serious pondering over a extensive variety of music-related matters. • Covers all major elements of song stories, together with subject matters reminiscent of composition, opera, renowned tune, and track concept • presents a radical assessment of a highly diversified topic, from the heritage of early track to careers in tune know-how, giving a head-start at the components to be lined on a song measure • New to 'neume'? want a reminder approximately 'ripping'? - glossaries supply transparent definitions of key musical phrases • Chapters are rigorously established and arranged permitting effortless and fast place of the data wanted
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Extra info for An Introduction to Music Studies (CUP)
1 Meter in Mozart: Piano Sonata in A K331, first movement, Meyer 1973: 31. Fig. 2 Classical sentence structure. Beethoven, Piano Sonata in F minor, Op. 2 No. 1, first movement Cooper and Meyer’s The Rhythmic Structure of Music, for example, drew on analytical techniques applied to poetry and prose since ancient Greece to classify various types of rhythmic pattern encountered in classical music. The theory shows how pulse, meter (number and type of beats in the measure), accent, and duration can be analyzed to identify groupings of notes that are similar to poetic feet known as iamb, anapaest, and dactyl, for instance.
Knepler, Georg (1961), Musikgeschichte des 19. Jahrhunderts (Berlin: Henschelverlag). Porter, Cecilia Hopkins (1996), The Rhine as Musical Metaphor: Cultural Identity in German Romantic Music (Boston: Northeastern University Press). Robertson, Ritchie (1999), The “Jewish” Question in German Literature 1749–1939: Emancipation and its Discontents (Oxford: Oxford University Press). Rummenho¨ller, Peter (1989), Romantik in der Musik: Analysen, Portraits, Reflexionen (Munich: Deutscher Taschenbuch Verlag).
You should note that these days so-called “popular music” is increasingly part of the study of music history at tertiary level, which is why we have devoted a chapter to it in this volume (see chapter 11). Oral histories It is obvious that different repertories and periods of music history will respond better to some approaches than to others, and may indeed require different historical tools. In studying what is often called “early music,” for instance, we may find that little biographical information is available even for some of the most highly valued composers, and that part of the historian’s task is akin to a kind of detective work, combing the archives to establish the authorship or chronology.