By Tim Hollis
There has been a time whilst rural comedians drew so much in their humor from stories of farmers' daughters, hogs, hens, and hill state excessive jinks. Lum and Abner and mom and dad Kettle would possibly not have toured fortunately less than the "Redneck" marquee, yet they have been its precursors. In Ain't Knee-Slapper: Rural Comedy within the 20th Century, writer Tim Hollis lines the evolution of this vintage American type of humor within the mass media, starting with the golden age of radio, whilst such comedians as Bob Burns, Judy Canova, and Lum and Abner stored listeners giggling. The e-book then strikes into the movies of the Thirties, Nineteen Forties, and Fifties, whilst the demonstrated radio stars loved moment careers at the silver display and have been joined via live-action renditions of the caricature characters Li'l Abner and Snuffy Smith, besides the much-loved mom and dad Kettle sequence of movies. Hollis explores such rural sitcoms because the genuine McCoys within the overdue Fifties and from the Sixties, The Andy Griffith express, The Beverly Hillbillies, eco-friendly Acres, Hee Haw, and so on. alongside the best way, readers are taken on facet journeys into the area of lively cartoons and tv ads that succeeded via a incredibly rural experience of enjoyable. whereas rural comedy fell out of style and networks sacked indicates within the early Seventies, the emergence of such hits because the Dukes of Hazzard introduced the style whooping again to the mainstream. Hollis concludes with a short examine the present kingdom of rural humor, which manifests itself in a extra suburban, redneck model of standup comedy. Tim Hollis is the writer of diverse books, together with howdy, girls and boys! America's neighborhood kid's television courses and (with Greg Ehrbar) Mouse Tracks: the tale of Walt Disney files.
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Extra resources for Ain't That a Knee-Slapper: Rural Comedy in the Twentieth Century
With this misconception already planted in the audience’s mind and remembering Lauck and Goff’s makeup tricks, Louis Marshall Jones devised some old-age makeup of his own, becoming known professionally as Grandpa Jones from that point on. Yes, we will be checking in with Grandpa again a few pages hence. The mid-1930s were glory days for Lum and Abner. In 1934 they secured Horlick’s Malted Milk as their sponsor, and while Horlick’s four-year association with the show would not be their longest-running sponsorship—that would come later, during the World War II years—the fact that company founder William Horlick was a personal fan of the show helped immeasurably with the publicity it received.
Cousin Jerkimer got up this mornin’ and got right into my best suit. Bergen: Well, now, that is annoying. Mortimer: Yuh, what’s more, he didn’t even give me time ta git out of it first. I didn’t realize how dirty the house was ’til the dog came in an’ tried ta bury a bone in the livin’ room. We got wall-to-wall dirt now. Bergen: Well, how could they drag so much dirt into the house? ” Bergen: That’s nice. Mortimer: Yuh, with real pigs they play it. Comedian Red Skelton had been toiling in obscurity for several years and had even starred in at least one undistinguished radio series when he suddenly hit on a winning formula and shot to the top of the ratings with his program sponsored by Raleigh cigarettes in October 1941.
Audiences could not get enough of Minnie’s stories about life back home in Grinder’s Switch—a real location, by the way, but hardly the same type of community she portrayed. The actual Grinder’s Switch was not much more than a loading platform along - 48 - Radio Rules the Roost the railroad leading to and from Nashville, but Minnie made it a town all her own. Listeners got to know all about her Uncle Nabob (“He jes’ takes a drink ever now an’ then to steady his nerves. He gits awful steady. ”).